Dark paintings are so difficult to photograph. Sorry for the glare.
Archive for January, 2012
January Bouquet
Two Heads
It’s always fun to paint heads, especially my own. These 2 studies were done a couple of days apart.
Both are oil on linen panel 8″ square
( I shaved off my beard between them. ) I’m a fan of Ann Gale’s work and I feel like the one on the right is derivative of her work. Having said that makes it ok, right?
I think worrying about being derivative is unproductive (to a point). You just have to keep painting, knowing that you’re going to make bad work and derivative work and trust that something true and honest will evolve.
Work in progress
.
.
Again this is Kelly Point Park. There is a bridge that goes across the river bank to a barge which is tied to the dolphins I’ve been fascinated with. The study above and the one before are two sections of this same small bridge.
.
The second painting is larger than I’ve worked in quite a while. I’m still worrying it. – slowly.
I’ve found myself looking at the work of Ilya Repin and William Merrit Chase, as I work on this. They both commonly included figures in their landscapes. I think, for me, the dolphins fill that role.
Studio Bookcase
.
This is one of a few pieces I’ve been working on lately.
14″ x 11″ oil on linen panel
I’m trying to paint every day. Sometimes I get stuck on a painting so I pull out another small panel and do a study to keep the brush moving. This is a sketch of a small wooden figure by Portland artist Tom Cramer.
This figure is from the 1980′s. Tom’s work has evolved into really intricate painted relief carvings. You can see photos of some of his work on his website but you really have to see them in person to appreciate them fully. Tom and I were featured together on a Portland Cable access TV show, called “Where’s the Art? back around 1987. At the time, Tom was known for these figurines and also for the cars and especially the Vespa scooters he painted. One of the scooters was shown on the show.
After the show, Tom and I traded pieces and that’s how I acquired this little sculpture.
.











