Plein Air to studio

In my last post, I wrote about a plein air painting session on Sauvie Island. I started a second painting, while I was there and have been playing with it in the studio since then. I tried to push it in the direction I’ve taken other paintings, lately by indulging in a similar kind of mark making. I think I took it a bit too far, to the point where the scene was lost to the marks.

9″ x 12″ oil on linen panel

So, I decided to walk it back a bit and ended up with this:

I like the composition and seem to be convinced that there’s a painting in here, somewhere but have not found it yet. I decided to leave it alone for a while but, taking up some gouache I found myself at it again.

Sometimes I have an idea of what I think a painting should look like and I have to let go of it and allow it to be what it is.

More studies

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10″ x 12″ oil on linen panel

This painting above is the same one from my last post, but taken a bit further.

6″ x 6″ oil on linen panel

These others are efforts to leave the reference behind a bit and lose myself in what it is I’m drawn to in the scene. They seem a bit self conscious to me, like I’m pushing them for no good reason. Like I’m faking it. Of course, I am faking it, at this point.

6″ x 5.5″ watercolor, ink and water soluble crayon on paper

Studies

I’ve posted a few sketches on my other blog but I’ve been so busy trying to keep my job and take care of other personal things that I have not had time to paint.

I read a post by Armand Cabrera on his blog Art and Influence about the value of doing studies. Here are a couple of studies I’ve done recently trying to get the hang of gouache.

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Willie

8″ x 5″ ink and watercolor

This is my daughter’s dog. She’s away at college. He looks like a puppy but he’s really getting quite old, 15 or 16. That one eye is blind and he’s mostly deaf, except at dinner time. My daughter picked him out at the pound, when he was 5 and she was about 8. His papers said that he’d been an outside dog and was not good with cats but he’s never complained about sleeping in my daughter’s bed nor chased our cat. He likes to wear one of his ears flipped back. He blew his knee out, a few years ago and needed surgery and, although he spends most of his day in slumber, he still has a little bounce in his step on his walks.

goauche and ink

I’ve been very busy with work and haven’t had time or energy to do anything but some sketching. I’ve enjoyed trying to learn a little more about goauche.

Corner of NW Broadway and Lovejoy

This is another quick sketch, testing out papers. This is a piece of Arches Text Wove/Velin Arches that was sent to me by a fellow Sketch Journaler, Roz Stendahl to try out.

watercolor ink and gouache

It wets more readily than the handmade paper put it is quite a bit less substantial and buckles a lot when wet.

I also did a little more testing with Noodler’s ink and it does seem to run on the Twinrocker paper I just bound into a sketchbook. I checked their website and they say that it should be waterproof on cellulose paper. The paper is cotton rag so should be cellulose. I’ve written them for advice.

bricks

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Clayboard experiment

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6″ x 6″ gouache, watercolor and inks on clayboard.

6″ x 8″ watercolor and ink on gessoed board

I was experimenting with water media on non-absorbent supports.

I’m not sure what to make of this yet.

Portraits

I haven’t posted anything in a while but I have been working. I’ve been painting portraits but haven’t produced anything I like yet. I wanted to do a series of portraits of friends and family and, naturally started with family since they were handy.

I wonder if anyone uses live models for portraits these days. Having someone else in the studio while I paint is very distracting for me and I always worry about the model and feel like I need to entertain them and make sure they’re comfortable.

It seems like maybe starting with people I’m attached to, especially my wife and daughters, was not such a good idea because I’m too invested in a likeness and a painting that they won’t hate.

This is a sketchbook page of some studies.

5″ x 8″ watercolor, ink and gouache

Osa on Mandala

Scared dog – gouache

5″ x 8″ goauche and ink

Our dog has fear issues, can you tell? She was rescued from a bad situation and is very fearful in unfamiliar situations – like my studio.

Cannon Beach

We spent last weekend at a friend’s fabulous beach house in Cannon Beach Oregon. This is the view from the front patio.

This is a really remarkable house, btw. The view is amazing and the house was built to have a zero energy footprint. There’s more information about this incredible house → HERE ← , if you’re interested. Beware the link is to a pdf file.

I spent most of the weekend painting and drawing. After 2 weeks of cold miserable rain, the skies were clear, the sun shined bright and it was warm. It was also a full moon.

There’s a hidden path down to a beach that’s secluded from the main beach except at low tide. I spent one day drawing and painting there and almost got stranded by the incoming tide.

I had to put in a telephone pole drawing.