Some more of Les’ things here. She didn’t use the basket but she bought it for our daughter to use for school, when she was very young. The cloth she used to wear as a kind of wrap around skirt at the beach, when we first met and the house is full of these brown medicine bottles. Les loved alternative medicine and up to the last day she was conscious, she used the stuff in that bottle.
I’ve had this and another on the easel for a while. I’m not sure I’m finished. I want to let it sit for a while. Sometimes when I get to this point with a painting, I decide it’s better to just start another than to continue to worry this one. I’ve painted a few versions of this scene now, each a little different.
I delivered the paintings for my first solo show in many years to Brian Marki Fine Art yesterday. I have one more piece I’d like to finish for the show, if Brian doesn’t mind hanging a wet painting.
The image above is the piece I’d like to finish for the show, in it’s current state. It still seems a little chaotic but that is true to my current experience. I don’t usually put a lot of thought into titles. They’re mainly just for me to keep them straight in my mind but, given recent events, this piece has begun to occur for me as a view into my life. I need to reconstruct a new life out of what appears to me now as the wreckage of my old life and this painting expresses that for me. It may not be pretty but it holds promise.
I have to say that, in spite of the fact that I’m not often referred to as a real “up” kind of person, I have been surprised at my ability to find positive meaning in my wife’s death.
For one thing, it was such a privilege and relief to be able to see Leslie on to a peaceful and meaningful death. It was the perfect completion of our relationship. Four years ago, when Leslie’s cancer became metastatic, the primary purpose of my life became to see to it that Les was taken care of and had a good death and I lived to fulfill that promise. So many women have to go through this alone. I am grateful that Les was loved and cherished and nurtured and adored to her last minutes. Well beyond her last minutes, in truth.
I have also been overwhelmed with love and support from friends and family. My relationships have been enriched by Les’ passing. I have made new friends who have made profound contributions to my life.
Leslie continues to nurture me even in death. I was rooting through the freezer and found a treasure. Two containers of Les’ wonderful beef stew.
My stomach and heart are both full of love. I miss Leslie’s physical presence but I feel her with me all the time. I’m a very fortunate man.
A friend and I drove out to Ranier, OR to paint at the defunct Trojan Nuclear Plant (now a park) but there was not much there we were interested in painting so we drove on into the nearby town of Ranier, which is right on the Columbia river. These 2 paintings were done from a parking lot in the town.
I try to do a self portrait every year around my birthday (My birthday is in March and you can look back through the archives to see other entries in the series). The project started around an assignment I was given in college to do a self portrait as I was then (20-ish years old) and then another predicting how I thought I’d look at age 60. I turned 60 this year so it’s sort of the completion of the project but I’ve been having a hard time producing the painting.
This painting was not intended to be the official yearly selfie but I offer it now until I get serious about completing the project.
The actual intention of this painting was to paint it over again pushing it as far as I could before I got bored with it. I repainted over the same canvas over the course of 6 days and this is where it ended up. Below are photos of the canvas at the end of each session
The weather has been especially wonderful in Oregon this spring. Although I’m tied to my home office during the work week, I’ve stolen enough time to do a few little studies outside. These two were painted from the deck of my office.
This studio painting was painted from sketches I’ve done over recent years. Montgomery Park dominates the night sky with it’s neon sign. It is a landmark that can be seen from many view points around the North West neighborhoods of Portland.
This relatively new neighborhood sprung up seemingly overnight on the South West shore of the Wilamette River in Portland. The most prominent resident is the Oregon Health Sciences University Hospital. The main hospital is on a hill overlooking the river and the two campuses are connected by a tram (not pictured here).
I’ve done some sketching from the upper campus, looking down to this one. Here is one I did in 2010, when there were fewer buildings.
This is a painting of a barge while being built at the Vigor Industries Shipyard on Swan Island, Portland, OR. I believe the barge is a double hulled oil barge in service in the Seattle area.
I could hang out here and draw for years, if they’d let me. Unfortunately the only times I’ve been there were during the Industry and Art shows, which were held in one of their hangars the last two years.
I’m happy to announce that I’ll be exhibiting work as part of a three person show at the AIA Center for Architecture next month. The show opens on Feb 7 with a First Thursday reception from 5PM – 9PM and continues through March 5th.
This is a scene at the Vigor Industrial Shipyard on Swan Island in Portland. I’ve had fun experimenting with different ways of applying paint. I used a brayer, strings soaked in paint, spatula, various knives, a whisk broom, etc. I did not use brushes very much on this piece.
I’ve been painting larger pieces on linen tacked to my wall. I leave a 4″ border around it for attaching it to stretcher bars. Once I get to this point, the border becomes distracting and I need to take it down and stretch it to really see what it looks like and to make sure the image fits the stretcher properly. I may change it after it’s stretched.
I’ve had this one on the easel for quite a while but I think I’m done with it now. What caught my eye was the interlocking shapes of the upper part of the building with the shapes caused by reflections in the lower part. It was a lot of fun to paint and I’m kind of sorry I’m done with it.
This is a view of the under side of the Fremont Bridge, looking across the Wilamette River from the west bank to the east. This is a studio painting although I’ve painted this same view plein air and posted some studies, for this painting, a couple of weeks ago.
Thanks everyone who traveled out to the western frontier of the Portland Open Studios tour, over the last 2 weekends. Although I didn’t get as many visitors as I may have gotten, were I more centrally located, I got the sense that many folks who came by did so because they’d looked up my website and liked what they saw.
I also had the opportunity to meet some followers of my blog, which is always great.
A few paintings found good homes, including one of my favorite recent pieces:
I’d have to say that the most popular work I had displayed was my sketchbooks. It’s always fun (and a little nerve wracking) to share them because they’re so personal. Here’s a panorama of the sketchbook table.
This past weekend was the first weekend of the 2012 Portland Open Studios tour. I worked on this study of the studio corner while a slow but steady stream of folks perused my recent oil paintings and sketchbooks.
Thanks everyone who came by or checked my website. I’m looking forward to the second weekend of the tour.
I’ve been working on this painting for the last several months. I’m declaring it finished, even though I could probably go on tweaking it for another couple of months. It will be in the studio during the Portland Open Studios, over the next two weekends.
I’ve always been a seat of my pants kind of painter and enjoyed just starting in on a canvas without a plan and allowing the painting to become what ever it will. But, having struggled to complete two large paintings without a real plan, I’ve decided that it’s probably a good idea to do some studies before launching into a big project so that I know what I’m trying to accomplish. Maybe I’ll have a better idea of when I’m done, for one thing.
Here are a couple of studies I’m considering for a larger piece.
This is the largest painting I’ve completed in quite a while. It’s a favorite subject of mine. I don’t know exactly why I’m so fascinated by these mooring dolphins but I love painting them. This is another view from Kelley Point Park, looking across the Columbia River toward Washington.
Although I enjoyed painting larger, I really struggled to finish this piece or rather to decide when it was finished. I’m still not completely sure I’m done with it. Finishing is always tricky and I often decide that my energy would be better spent moving on to the next piece and trusting that it will build on the last one.
I love (/hate) plein air painting but consider myself a bit of a hack at it. I have lots of excuses and I wanted to use many of them over the last 5 days, as I tried to paint some good paintings in Hood River. This is the first time I’ve participated in a plein air competition and I really enjoyed painting with a group of extremely skilled plein air painters.
This is one of my entries, painted at the beautiful Sakura Ridge Farm and Lodge, above Hood River. Please don’t judge the place by this painting. The views of Mt Hood and the valley and the lodge were amazing.
Click HERE for more photos of the paint out at Sakura Ridge.
The opening reception is this coming Friday, Sept 7th at the Columbia Gallery of Art in Hood River from 4 til 9. If you’re in the area and want to see some extraordinary plein air paintings, please stop by. The show runs through the month of September.
Sometimes I come across painters who make me want to rush to the easel and paint. Dutch painter Roos Schuring has that effect on me. Her paintings are such fun to look at and say so much with seemingly so little. I get the impression that she produces her paintings in 3 masterful brush strokes.
Roos’ blogsite is packed with information including several very informative video clips showing her tools and methods. She paints under some pretty uncomfortable circumstances and has valuable advice on how to survive cold, wet and wind.
Another painting of this old Cadillac. This is the largest painting I’ve done in a long time. I’m working on another that is 24″ x 48″. I’m enjoying working larger. I like the gestures I need to make to paint this large but I’ve had some difficulty getting used to mixing enough paint for the 24 x 48.