Papaya and Water Glass 12″ x 16″ oil on archival paper
I’ve been working on a large piece that’s taking a long time so I took a break and did this still life of a papaya. My acupuncturist recommended that I eat papaya for the enzymes that I seem to be missing.
Leslie had this reproduction of a Fra Lippo Liippi painting of the Blessed Mother as long as I knew her. She kept it close to her bed, especially in trying times. Les had an eclectic set of religious beliefs. She also loved Paramahansa Yogananda and recently reread his autobiography.
This still life includes Leslie’s glasses and her copy of Autobiography of a Yogi, her keys and icon and it’s all resting on one of her scarves.
This Saturday would have been Les’ 62nd birthday. Happy Birthday, Sweetheart, if you’re still following the blog.
I went out painting with a friend last week and came across a small herd of cows lounging in the sun. They were the same type of cows that I often see in Roos Schuring’s paintings. She’s a fantastic painter in Holland. I wrote about her back in Aug 2012.
I’ve been thinking a lot about how to express my current conundrum visually. Thinking is usually not the best way to get at this kind of thing but I’m afraid of making work that is trite or exploits or cheapens this and I’m especially wary of this since it’s not only my experience. Many people loved Leslie and may have feelings about how or what I express. That being said, I’ve been making some drawings and trying to find a way to start.
I’m sharing a couple of the drawings here.
6″ x 7″ gouache black and white ink on paper
9″ x 6″ gouache black and white ink on paper
As I start this, I realize I could explore this for a long time.